4/27 – Jacksonville, FL – Welcome to Rockville
4/29 – Atlanta, GA – Buckhead Theatre***
5/1 – Wilmington, DE – The Queen
5/2 – Richmond, VA – The National
5/4 – Stroudsburg, PA – Sherman Theater**
5/5 – Concord, NC – Carolina Rebellion
5/8 – Toronto, ON – The Phoenix Concert Theatre
5/9 – Kitchener, ON – Elements
5/11 – Buffalo, NY – Town Ballroom
5/12 – Fort Wayne, IN – The Clyde Theatre
5/13 – Somerset, WI – Northern Invasion
5/16 – Sioux City, IA – Anthem at Hard Rock Casino Sioux City**
5/17 – Fargo, ND – Sanctuary Event Center*
5/19 – Royal Oak, MI – Royal Oak Music Theatre
5/20 – Columbus, OH – Rock on the Range
5/22 – Louisville, KY – Mercury Ballroom
5/24 – Omaha, NE – Sokol Auditorium
5/25 – Pryor, OK – Rocklahoma
6/21 – Pomona, CA+
6/22 – San Diego, CA+
6/23 – Mountain View, CA+
6/24 – Ventura, CA+
6/28 – Phoenix, AZ+
6/29 – Las Vegas, NV+
6/30 – Salt Lake City, UT+
7/01 – Denver, CO+
7/3 – St. Louis, MO+
7/5 – Bonner Springs, KS+
7/6 – Dallas, TX+
7/7 – San Antonio, TX+
7/8 – Houston, TX+
7/10 – Nashville, TN+
* – Only Red Sun Rising
** – Only The Fever 333
*** – Special Guest
+ – Vans Warped Tour
The 17-track album, released via
Hopeless Records and produced by
Ross Robinson (The Cure, At The Drive In), pushed the band further in every way imaginable. Written out of pain and loss,
The Canyon is tragic and haunting while also having a sense of light and energy that is unlike anything this band has put forward. “
This isn’t just an album born from a death, it’s an album whose makers have found some new lease on life,” shared
Nylon in an exclusive interview and acoustic session with the band. With praise from outlets like
Billboard stating The Canyon is “
their largest body of work to date, and in many ways, their most important” and
Rolling Stone calling the acoustic performances of these new tracks a “
blistering…poignant rendition,” this is The Used at their most vulnerable and possibly, at their best.